Fields of interest of professors — School of Music
John Armstrong - University of Toronto with Oskar Morawetz and Edward Laufer
- Composition for voice, guitar, theatre
Lori BURNS - PhD, Harvard University
- Music theory and analysis
- 20th century theory
- Gender studies in music
- Popular music
- Music and text
Gilles COMEAU - PhD Education Foundations, University of Montreal
- Piano pedagogy: psychology of music, teacher training, new technology (video camera and distant learning)
- Music education: foundations, creativity, cognitive studies
Robert CRAM - Private instruction with Marcel Moyse, Samuel Baron and Christian Lardé
- Flute
- Canadian music
- Contemporary music
- Chamber music
David CURRIE - Diploma, Interlochen Arts Academy with Jon Deak
- Conducting
- Double bass
- Orchestra
- String ensembles
Murray DINEEN - PhD, University of Columbia
- Performance theory
- Harmony
- Philosophy of music
- Musical Analysis
- Adorno
- Leftist Aesthetics of Music
- Counterpoint
Laurence EWASHKO - Diploma Lied and Oratorio, Vienna Conservatory with David Lutz
- Choral conducting
- Voice
- Music education
Steven GELLMAN - CNSM, Conservatoire de Paris
- Composition
- Teaching composition
- Analysis
- Orchestration
Elaine KEILLOR - PhD, Musicology, University of Toronto
- All areas of Canadian music historical and contemporary
- Aboriginal music, traditional and contemporary
- Piano repertoire, teaching methods, insights from ethnomusicology and medicine as applied to pedagogy
- Gender studies focussing on women as composers and musicians
Ingemar KORJUS - Diploma, Hochschule Für Musik, University of Vienna
- Voice
- German art song
- Oratorio
Stéphane LEMELIN - DMA, Yale University with Claude Frank and Boris Berman
- Piano
- Chamber music
Paul MARLEYN - Artist Diploma, New England Conservatory with Lawrence Lesser
- Violoncello
- Chamber music
Lora MATTHEWS - PhD, University of Western
- Music and patronage in the renaissance
Paul MERKLEY - PhD, University of Harvard
- Medieval and renaissance music
- Film music
- 20th century music
- History of music theory
- Religion and music
- Medieval studies
- Patronage of music
- The business of music
Christopher MOORE - PhD, McGill University
- 19th and 20th century French music
- Music and politics
- Opera and community
Dillon PARMER - PhD, Eastman School of Music
- Nineteenth-century music
- Music criticism
- Semiotics
- Art song
Roxane PREVOST - PhD, University at Buffalo, SUNY
- Rhythmic analysis
- Contemporary music analysis
- Canadian music
- Fauré and Ravel
- Special interest for the works of lesser-known composers
- Presenting lecture-recitals
John SHEPHERD - DPhil, Music, York University
- Sociology and aesthetics of music
- Popular music studies
- Cultural theory
David STEWART - Certificate of performance, Yale University with Oscar Shumsky
- Violin
- Viola
- Chamber music
- Orchestral excerpt
Andrew TUNIS - MMus, Manhattan School of Music with Arthur Balsam
- Piano
- Chamber music