Christopher Moore

Associate Professor, School of Music

Member of the Faculty of Graduate and Postdoctoral Studies and thereby authorized to supervise theses.

Office: Pérez 312
Telephone: 613-562-5800, ext. 3568
E-mail: christopher.moore@uOttawa.ca
Personal website: http://artsites.uottawa.ca/christopher-moore/

University degrees

  • PhD, McGill University
  • D.E.A. Musicology (Diplôme d'études approfondies), Université de Paris IV – La Sorbonne
  • Maîtrise Music, Université de Paris IV – La Sorbonne
  • BMus, University of Ottawa

Fields of interest

  • 19th and 20th-century French music
  • Music and politics
  • Music and gender

Courses and seminars taught

  • Music and Critical Thought
  • Popular Music
  • Music and Politics
  • Research and Methods
  • Seminars on Twentieth Century French Music

Selected publications

Christopher Moore, “A Perfect Accord: Music and Gesture in Francis Poulenc’s Les Biches,” Les Cahiers de la Société québécoise de recherche en musique 13/1-2 (2012): 97-104.

Christopher Moore, “Camp in Francis Poulenc’s Early Ballets,” The Musical Quarterly 95/2-3 (Summer-Fall 2012): 299-342. Winner of the 2012 Philip Brett Award, sponsored by the LGBTQ Study Group of the American Musicological Society.

Christopher Moore, “Music and Politics, Performance, and the Paradigm of Historical Contexualism,” Music & Politics 4/1 (Winter 2010). http://www.music.ucsb.edu/projects/musicandpolitics/archive/2010-1/moore.html

Christopher Moore, "Socialist Realism and the Music of the French Popular Front," Journal of Musicology 25/4 (2009), 469-498.

"Le Quatorze juillet: modernisme populaire sous le Front populaire," Musique et modernité en France, edited by Sylvain Caron, François de Médicis and Michel Duchesneau (Montréal: Presses de l'Université de Montréal, 2006), 363-387.

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Last updated: 2014.01.13